The Mark Tom And Travis Show Download
| The Marking, Tom, and Travis Prove (The Enema Strikes Dorsum!) | ||||
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| Live anthology past Blink-182 | ||||
| Released | November 7, 2000 | |||
| Recorded | November 4–5, 1999 | |||
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| Length | 61:52 | |||
| Label | MCA | |||
| Producer | Jerry Finn | |||
| Blink-182 chronology | ||||
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| Singles from The Mark, Tom, and Travis Show (The Enema Strikes Back!) | ||||
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The Mark, Tom, and Travis Show (The Enema Strikes Back!) is a live anthology by American stone band Blink-182. Information technology was released on November vii, 2000 by MCA Records. Blink-182 had risen to fame at the turn of the millennium on the strength of its third album, Enema of the State, which went multiplatinum. Capturing the ring's stage show—known for its irreverent humor—with a live release was designed to satisfy fans between new studio albums. The album was recorded over two nights at performances in their native California, on the group's inaugural arena tour.
The album contains energetic, high-speed renditions of the band'due south catalogue upwards to that betoken in their career. The set list includes singles such every bit "All the Small Things", "What's My Historic period Again?", and "Dammit". Guitarist Tom DeLonge and bassist Marker Hoppus trade juvenile jokes in-between songs, while drummer Travis Barker performs with virtuosity. The anthology's sleeve was designed by artist Glen Hanson, who received an accolade for his work on it. Jerry Finn, the band's frequent collaborator, produced and mixed the anthology.
Marketed as a express edition release, The Mark, Tom, and Travis Show was initially available for only two months at retail. During that time, the album sold over 500,000 copies in the Us, earning a gilt certification from the Recording Industry Association of America. "Man Overboard"—a bonus studio single recorded to promote its release—reached number two on Billboard 's Modern Rock Tracks chart. The anthology proved influential for future popular punk acts, including Homo Overboard and All Time Low. In recent years, the album has seen sporadic availability on digital platforms.
Background [edit]
Blink-182 bankrupt into the mainstream with its 1999 anthology Enema of the State—a fast, glossy popular-punk tape with multiple hit singles.[2] [3] The LP proved enormously successful, shifting over five million units domestically, and three times that number worldwide. It became a time of transition for the grouping, who performed worldwide in larger venues than before, including amphitheaters, arenas, and stadiums. At the beginning of the album's promotional cycle, the trio were driving from evidence to show in a van with a trailer attached for merchandise and equipment;[4] past its end, they were traveling by double-decker jitney and flying on individual jets.[5] Bassist Mark Hoppus recalled that "nosotros had gone from playing small-scale clubs and sleeping on people'south floors to headlining amphitheaters and staying in five-star hotels."[6] Guitarist Tom DeLonge, in a band biography, recalled that touring arenas "was amazing, considering it was the first time we'd ever done anything that big. I felt similar a success story."[7] Drummer Travis Barker, in his memoir Tin can I Say, recalled his newfound distinction: "[The] anthology took us all over the earth, for months at a time. We were playing awards shows with [pop stars] Britney Spears and Christina Aguilera when we were used to hanging with bands like the Vandals, Unwritten Police force, and 7 Seconds."[8]
Capturing the band's stage bear witness with a live album was designed to satisfy fans between new studio albums.[ix] The content of The Mark, Tom and Travis Show was recorded at 2 concerts in California. These shows—a function of the band's start loonshit outing, the Loserkids Tour—took place on November 4, 1999, at the Bill Graham Civic Auditorium in San Francisco, California, and November 5, 1999, at Universal Amphitheatre in Universal City, California.[10] The anthology was titled after the band's 2000 worldwide tour, while the subtitle alludes to both Enema of the State and the Star Wars film The Empire Strikes Dorsum. The recordings were captured past Le Mobile, a California-based mobile recording unit of measurement.[10] Le Mobile has likewise recorded live albums for artists such equally the Offspring, Van Morrison, Kenny G, and Robin Thicke.[xi]
Hoppus described the experience every bit daunting, specially the Los Angeles show: "Playing shows in LA is already nervus-wracking enough because you have friends and family unit and agents and lawyers and label people and radio stations," he told Rock Sound in 2020.[12] The album was produced and mixed by Jerry Finn, a veteran punk stone producer that the band previously collaborated with on Enema of the Country.[13] Additional editing of the recordings took place at Signature Sound in the band's hometown, San Diego; Finn mixed the album at Cello Studios in Hollywood, where it was also finalized at Bernie Grundman Mastering. The anthology's artwork was illustrated by artist Glen Hanson, best-known for later designing the Mattel fashion doll franchise Monster High. The drawing depicts the band performing for a colorful audience of characters, including a wizard, nude men, an conflicting, and Enema of the State cover model Janine Lindemulder. Hanson was awarded a certificate of excellence from the American Institute of Graphic Arts for his piece of work on the sleeve.[xiv] The design of the CD sleeve was headed by Tim Stedman,[ten] then vice president of the fine art department for MCA Records.[xv]
Composition [edit]
Music [edit]
Drummer Travis Barker in 2003
The Mark, Tom, and Travis Testify features alive renditions of songs from the band's commencement three albums: Cheshire Cat, Dude Ranch, and Enema of the Land.[16] It leans heavily on the contents of the latter, every bit the band were touring in support of information technology at the time. "We played the songs at lightning speed, and the dick jokes were at an all-time high. It was a perfect representation of what we sounded like and who we were at that time," Barker has recalled.[17] The ring'south songs unremarkably focus on autobiographical lyrical subjects such as relationships, and boyish themes like high schoolhouse and teen angst. Greg Kot at the Chicago Tribune perceived an "undercurrent of seriousness and an attention to songcraft that might not be instantly apparent beneath the prankster veneer."[eighteen]
Guitarist Tom DeLonge's guitar riffs are downwards-stroked and power-chord heavy, with large amounts of palm muting,[19] while Hoppus acts as a combination betwixt a rhythm guitarist and bassist.[20] Author Greg Heller of Alternative Press, on the topic of Barker's part, observed that "In the great tradition of Cheap Trick's Live at Budokan, the [anthology] showcases the drummer's tranquillity fury—which is to say that when not drumming furiously, he's serenity [...] But when playing he'southward the loudmouth, squeezing fills into rolls with unthinkable technicality and brutal abandon."[21] Heller felt that Barker's percussive work on the album offers "something slightly more eclectic" than the typical "repetitive blitzkrieg" of double-time punk drumming. At this point in his career, Barker listed veteran percussionists Steve Gadd,[22] Dennis Chambers, and Stewart Copeland as influences.[21] DeLonge and Hoppus, meanwhile, jokingly prioritize carelessness, remarking on the album that they "professionally suck."[23]
At the decision of the live gear up, the album crossfades into "Man Overboard", a new studio track. The song was originally demoed during the sessions that produced Enema of the Country, but was left off the final album.[24] It lyrically references former drummer Scott Raynor,[25] likening his expulsion from the grouping to an exclamation fabricated when a passenger falls from a ship. The band wanted to include a new studio cover song as a bonus track, potentially from an artist similar the Police force, Phil Collins, or Paul Simon, just it was difficult to find time between their busy schedule.[26]
Humor [edit]
The album contains a handful of juvenile joke songs, including "Family Reunion", a musical retelling of comedian George Carlin's vii dirty words routine, and "Accident Job", a commemoration of oral sex. Throughout the functioning, DeLonge and Hoppus alternate vocally portraying Satan through a vocalization changer,[27] and parody their own lyrics. Nearly every song concludes with long, improvised repartee between the two musicians, often starting with DeLonge shouting "Hey Mark!" and punctuated by belching. "I always hated bands that just sit at that place and play," DeLonge said to disc jockey Michael Halloran. "I think the states interacting with the audience is different, and original, and it'south fun to exercise."[26] The LP concludes with nearly eleven minutes of this collected banter, in which DeLonge references the duo's off-color tendency: "Hey, how come every time we say a joke, information technology has to exist about fucking, sex activity, masturbation, incest, or anything gross like that? [...] In that location's zip else to talk about!"[28] These tracks, collectively known as "Words of Wisdom", are culled from DAT recordings of xxx shows beyond the Marking, Tom and Travis Evidence Tour, and were compiled by a member of band'south entourage. Hoppus chosen it "the worst, most obscene, foul-linguistic communication. On that tour me and Tom were really trying to see who could outdo the other and say the nearly ridiculous affair on stage."[12] DeLonge expressed surprise at audience members' potential offense to their humour, noting that the scene the group came up in included acts like Guttermouth, whose frontman Mark Adkins was known to stick a drum stick upwardly his rear on-phase—and so their dialogue certainly felt tame in comparison.[26]
Barker, who voted confronting including the 26-runway collection of crosstalk,[21] takes no function in the silliness, and communicates solely in rimshots.[29] "Probably 60 percentage of the time, what they're saying between songs is genuinely funny," he told Heller. "But the other times... that's when I'm kicking or doing something behind the drum prepare to say, 'Let's go. Permit's play the next vocal.' They tried before [to get me involved]: 'Become a mic. Tell a joke.' Just that's just not my style. I'd just rather play a song."[21] This type of between-song dialogue has been compared to Paul Stanley's phase banter on the Kiss live anthology Alive!,[30] as well as the Slayer bootleg anthology Do You Dig Older Women?.[29] Allmusic reviewer MacKenzie Wilson dismissed this humour equally "immature, [simply] harmless."[31] In dissimilarity to their crude humor, the duo were fairly straight-laced behind-the-scenes, compared to many rockstars. A 2000 Rolling Stone profile by writer Gavin Edwards details the band: "They say they don't utilize drugs. Their tour rider mandates a supply of beer, which they routinely donate to the route crew. [...] Hoppus' and DeLonge'south antics mask a mature streak that, given their fondness for fart jokes and references to ane another's penises, in itself seems shocking."[32] Yet, the band's trend to celebrate audience members flashing their breasts drew criticism.[29] Hoppus responded to these critiques in the Rolling Stone story; "I just get super bummed-out when 13-year-old girls show their boobs. [...] Now, we're the first bear witness for a lot of kids, so I simply want them to have fun and exit rubber."[32]
Commercial operation [edit]
The Mark, Tom, and Travis Show was outset alluded to in an Baronial 2000 commodity on MTV News, which reported the band were back in the studio to record a studio track accompanying the anthology, "Human being Overboard".[24] The song debuted online, streaming exclusively on MTV.com, KROQ.com and the ring's official website on September 2, 2000. The song was later serviced to radio on September xviii,[1] where it apace rose up Billboard 's Modern Rock Tracks nautical chart. The song peaked at number two on Nov eighteen, 2000, its eighth week on the nautical chart,[33] representing another hit unmarried for the band. The alive version of "Dumpweed" was also issued as a promotional single to support the anthology.[34]
The Marking, Tom, and Travis Show was released on compact disc and cassette worldwide on November 7, 2000, with a suggested list toll of $12.98 in the US.[35] It was marketed as a express edition release, and was only available for two months in stores. The album premiered with sales of between 110,000–128,000 copies, according to Nielsen SoundScan,[36] [37] debuting at number 8 on the Billboard 200 chart in the issue dated November 25, 2000.[38] It charted highest in Canada, where it peaked at number 4,[39] and in Australia, where it debuted on the ARIA Charts at number half dozen.[40] It was speedily certified aureate in several regions; in Canada, the anthology was certified platinum by Music Canada for sales of over 100,000 copies;[41] overseas, in the United Kingdom, information technology similarly attained 100,000 sales, resulting in a gold certification from the British Phonographic Manufacture.[42]
Information technology was certified gold by the Recording Manufacture Association of America on January 17, 2001, cogent shipments of over 500,000 copies.[43]
Critical reception [edit]
The Mark, Tom and Travis Show received mixed reviews from critics at the time of its release. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the anthology received an average score of 56, based on viii reviews, indicating a "mixed or average" response.[44] Wilson of Allmusic dubbed the album "a real rock prove [and] high-speed energy at it's [sic] finest [...] in the midst of teen popular mediocrity and mail-grunge rollickers, information technology's good to meet a band such as glimmer-182 enjoying its fourth dimension on meridian of the world."[31] Alex Pappademas of Spin was appreciative of Hoppus and DeLonge's "smirky, self-deprecating ane-liners [that] can't conceal the music'southward winning blahs."[45] Rob Sheffield of Rolling Stone opined that "DeLonge is ane terrific little guitar actor, the comic chitchat interludes are a sweet bonus for fans, and Glimmer-182 steal enough moronic hooks to make The Enema Strikes Back! a hoot."[46]
Mike Pace of PopMatters wrote that "the recording sounds bright and full, and while the suits at MCA surely had something to do with that production-wise, one can't error Tom Delonge for coming into his own as a guitar actor, and probably getting more mileage out of the C,1000,A,F and G,C,D chord progressions than any band thus far."[47] A reviewer for Melody Maker observed that the anthology "obeys the Outset Three Laws of Rock: take a skillful time; maintain the generation gap; keep information technology simple."[48] The more negative reviews came from NME, with writer Siobhan Grogan deriding the anthology equally "the tragic sound of three men so desperately trying to avoid growing upward."[49] Tom Sinclair, reviewing for Entertainment Weekly, constitute the collection to be "wholly unwarranted," criticizing the "laughably obvious" marketing strategy of "quickly flood[ing] the market with blink-182 product before their fans outgrow 'em."[fifty] Retrospective reviews have since become more positive. Consequence of Sound contributor Alex Young retrospectively reviewed the album in 2008, praising the band's energy and considering it a part of that "timeless teenage tradition of offending parents and pushing the boundaries."[27]
Legacy and availability [edit]
The Marking, Tom, and Travis Show (The Enema Strikes Back!) proved influential to a generation of popular punk musicians. The New Jersey ring Man Overboard named themselves later the album'south lead single,[51] while the members of Baltimore-based popular punk outfit All Time Low starting time bonded over listening to the album.[52] All the same, re-releases and availability of The Mark, Tom, and Travis Evidence have proven scarce. The original CD was only in stores for two months; it was pulled in Jan 2001.[31] In the US, Universal Music Grouping first issued the album on vinyl in 2011 through mall chain Hot Topic,[53] while Canadian independent characterization SRC reissued it on high-fidelity audiophile vinyl and cassette in 2015 and 2016.[54] [55] It has been infrequently available for digital download or on streaming services; in 2017, upon its latest removal, it prompted Man Overboard guitarist Zac Eisenstein to publicly bemoan its absence. It became re-available on Spotify and Apple Music in 2019, only just in certain regions.[16]
Track listing [edit]
All tracks are written by Marker Hoppus and Tom DeLonge, except where noted.
| No. | Title | Lead vocals | Length |
|---|---|---|---|
| 1. | "Dumpweed" | DeLonge | 2:53 |
| 2. | "Don't Go out Me" | Hoppus | 2:38 |
| 3. | "Aliens Be" | DeLonge | 3:43 |
| 4. | "Family unit Reunion" | Hoppus | 0:51 |
| 5. | "Going Away to College" | Hoppus | iii:40 |
| half-dozen. | "What's My Age Again?" | Hoppus | three:18 |
| 7. | "Dick Lips" (Hoppus, DeLonge, Scott Raynor; listed as "Rich Lips") | DeLonge | 3:35 |
| 8. | "Blow Job" (listed as "Blew Chore") | DeLonge | 0:41 |
| ix. | "Untitled" (Hoppus, DeLonge, Raynor) | DeLonge | 3:07 |
| 10. | "Voyeur" (Hoppus, DeLonge, Raynor) | DeLonge | 3:28 |
| 11. | "Pathetic" (Hoppus, DeLonge, Raynor) | Hoppus/DeLonge | two:51 |
| 12. | "Adam's Song" | Hoppus | four:35 |
| xiii. | "Peggy Sue" | DeLonge | 3:47 |
| 14. | "Wendy Articulate" | Hoppus | four:09 |
| 15. | "Carousel" | DeLonge | 3:38 |
| sixteen. | "All the Modest Things" | DeLonge | three:35 |
| 17. | "Mutt" | DeLonge | 3:39 |
| 18. | "The Land Vocal" | DeLonge | 1:00 |
| 19. | "Dammit" (Hoppus, DeLonge, Raynor) | Hoppus/DeLonge | 3:05 |
| xx. | "Man Overboard" (not-album runway) | Hoppus/DeLonge | two:46 |
| Total length: | 61:52 | ||
| No. | Championship | Length |
|---|---|---|
| 21. | "Commencement My Own Nudist Colony" | 0:23 |
| 22. | "Fuck Everybody Else" | 0:38 |
| 23. | "Say Some Dirty Words" | 0:34 |
| 24. | "I Like Your Hair" | 0:09 |
| 25. | "For All the Ladies..." | 0:21 |
| 26. | "Golf game Tournament" | 0:35 |
| 27. | "A Note from Your Mom" | 0:sixteen |
| 28. | "What I Learned in Fifth Grade" | 0:07 |
| 29. | "Fuck You Tom" | 0:18 |
| 30. | "Smells Similar Blood and Carrion" | 0:18 |
| 31. | "Safe Sex" | 0:25 |
| 32. | "The Most Special Kind of Beloved" | 0:27 |
| 33. | "My Boner Just Died" | 0:11 |
| 34. | "Someone Lost a Contact Lens" | 0:25 |
| 35. | "I Gotta Get Pee-Pee" | 0:33 |
| 36. | "Injure Kid" | 0:17 |
| 37. | "I Wish I Took Guitar Lessons" | 0:19 |
| 38. | "I Know a Guy" | 0:42 |
| 39. | "Alibi Me, Security Guard" | 0:22 |
| 40. | "Mark'due south Middle Proper noun" | 0:ten |
| 41. | "I Still Have to Become Pee" | 0:ten |
| 42. | "You Shave Your Ass!" | 0:35 |
| 43. | "We Need a New Guitarist" | 0:17 |
| 44. | "If I Were a Girl" | 0:05 |
| 45. | "Santa Will Rape Your Dogs" | 0:14 |
| 46. | "I'm Aback to Be Myself" | 0:22 |
| 47. | "Fuck Wiping!" | 0:eighteen |
| 48. | "7-Up" | 0:06 |
| 49. | "Concluding Words from Satan" | 0:56 |
| 50. | "13 Miles" (Japanese and SRC Vinyl bonus track) | 2:11 |
Personnel [edit]
Charts [edit]
Certifications [edit]
References [edit]
Footnotes [edit]
- ^ a b Mancini, Robert (August 30, 2000). "Blink-182 To Debut New Rails Online". MTV. Retrieved February 24, 2020.
- ^ "Tom DeLonge talks guitar tones, growing upwards and Glimmer". Total Guitar. Bathroom, Somerset: Future Publishing. October 12, 2012. ISSN 1355-5049. Archived from the original on Dec 12, 2012. Retrieved Feb 24, 2020.
- ^ Carimanica, Jon (September xvi, 2011). "Not Quite Gone, A Punk Ring Is Coming Back". The New York Times . Retrieved February 24, 2020.
- ^ Barker and Edwards 2015, p. 122. sfn mistake: no target: CITEREFBarker_and_Edwards2015 (help)
- ^ Barker and Edwards 2015, p. 140. sfn error: no target: CITEREFBarker_and_Edwards2015 (assist)
- ^ Take Off Your Pants and Jacket (2013 Vinyl Reissue) (liner notes). Blink-182. Usa: Geffen / Universal Music Special Markets. 2013. SRC025/SRC026/SRC027/SRC028.
This reference primarily cites the Mark Hoppus foreword.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Hoppus, Anne (October 1, 2001). Glimmer-182: Tales from Below Your Mom. MTV Books / Pocket Books. p. 98. ISBN0743422074.
- ^ Barker and Edwards 2015, p. 125. sfn error: no target: CITEREFBarker_and_Edwards2015 (assistance)
- ^ Barker and Edwards 2015, p. 157. sfn mistake: no target: CITEREFBarker_and_Edwards2015 (help)
- ^ a b c The Marker, Tom, and Travis Bear witness (The Enema Strikes Back!) (liner notes). blink-182. US: MCA. 2000. 112379.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ "Le Mobile Records Van the Homo at Celebrated Shows". Pro Sound News. December eight, 2008. Archived from the original on December 11, 2008. Retrieved Feb 24, 2020.
- ^ a b Rogers, Jack (September 3, 2020). "Blink-182'south Mark Hoppus On Recording The Mark, Tom, and Travis Testify: "It Was Nervus-Wracking"". Stone Sound . Retrieved September 5, 2020.
- ^ Harris, Chris (August 25, 2008). "Blink-182, AFI Producer Jerry Finn Expressionless At 39". MTV News. Retrieved February 24, 2020.
- ^ Rodriguez, Alexander (August 31, 2018). "The Art and Blitheness of Glen Hanson". QueerForty.com . Retrieved February 24, 2020.
- ^ "Executive Turntable". Billboard. Vol. 106, no. 25. Nielsen Concern Media, Inc. June 18, 1994. p. 11. ISSN 0006-2510.
- ^ a b Templeton, Mackenzie (Nov vi, 2019). "blink-182 bring 'The Mark, Tom, And Travis Show' back to streaming in select regions". Alternative Press . Retrieved February 24, 2020.
- ^ Barker and Edwards 2015, p. 378. sfn mistake: no target: CITEREFBarker_and_Edwards2015 (aid)
- ^ Kot, Greg (December vii, 2001). "Blink-182 just wants to have fun". Chicago Tribune . Retrieved February 24, 2020.
- ^ Lewis, Luke (November 1, 2003). "Glimmer-182". Full Guitar. No. 116. pp. 44–49. ISSN 1355-5049.
- ^ D'Auria, Jon (May xxx, 2019). "Marker Hoppus: What'due south My Age Again?". Bass Mag. Archived from the original on July 8, 2019. Retrieved February 24, 2020.
- ^ a b c d Heller, Greg (June 2001). "All the Big Things". Alternative Printing. No. 155. Alternative Magazines Inc. pp. 56–64. ISSN 1065-1667.
- ^ Doerschuk, Andy (Apr 18, 2011). "Punk Drumming Grows Up". Drum! . Retrieved Feb 24, 2020.
- ^ Barker, Travis; DeLonge, Tom; Hoppus, Marking (November vii, 2000). Pathetic. MCA Records. Result occurs at 2:25.
Hey [...] nosotros're professionals. You might not accept noticed that, but we are professionals at what we do. Nosotros only professionally suck, and professionally act like a bunch of assholes on stage.
- ^ a b Basham, David (August 28, 2000). "Blink-182 Records New Song For Alive Album". MTV. Retrieved February 24, 2020.
- ^ Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakup & The Return. Independent Music Press. p. 80. ISBN978-one-906191-x-8.
- ^ a b c Hoppus, Mark; DeLonge, Tom; Barker, Travis (2000). "Interview With Blink-182". Dumpweed (CD Promo) – MCAR-25268-ii (Interview). Interviewed by Michael Halloran. MCA Records.
- ^ a b Young, Alex (July 22, 2008). "Guilty Pleasure: Blink-182 – The Marking, Tom, And Travis Testify". Consequence of Sound. Archived from the original on May 5, 2016. Retrieved January 24, 2017.
- ^ Barker, Travis; DeLonge, Tom; Hoppus, Mark (November 7, 2000). I Know a Guy. MCA Records. Event occurs at 0:51.
- ^ a b c Rotter, Jeffery (November 1999). Naughty by Nature. Spin. Retrieved February 24, 2020.
- ^ Sheffield, Rob (June xi, 2001). "Have Off Your Pants and Jacket". Rolling Stone . Retrieved February 24, 2020.
- ^ a b c Wilson, MacKenzie. "The Marking, Tom, and Travis Prove (The Enema Strikes Back!) – Blink-182". Allmusic . Retrieved August sixteen, 2016.
- ^ a b Edwards, Gavins (Baronial iii, 2000). "The Half Naked Truth About Blink-182". Rolling Stone. Archived from the original on February 3, 2013. Retrieved February 24, 2020.
- ^ "Alternative Songs". Billboard . Retrieved February 24, 2020.
- ^ Paoletta, Michael, ed. (November 11, 2000). "Reviews & Previews: Rock Tracks: Blink-182 – "Dumpweed"". Billboard. 112 (46): 31. ISSN 0006-2510.
- ^ "The Billboard 200" (PDF). Billboard. Vol. 112, no. 48. Nielsen Business Media, Inc. November 25, 2000. p. 108. ISSN 0006-2510.
- ^ Dansby, Andrew (June twenty, 2001). "Blink-182 Take Off to No. 1". Rolling Stone . Retrieved February 24, 2020.
- ^ "Glimmer-182 Opens At No. 1, Carbohydrate Ray Debuts High". Billboard. June 21, 2001. Archived from the original on July 2, 2013. Retrieved February 24, 2020.
- ^ a b "Blink-182 Chart History (Canadian Albums)". Billboard. Retrieved August 16, 2016.
- ^ a b "Blink-182 Chart History (Billboard 200)". Billboard. Retrieved August 16, 2016.
- ^ a b "Australiancharts.com – Glimmer-182 – The Marking, Tom and Travis Show". Hung Medien. Retrieved Baronial 16, 2016.
- ^ a b "Canadian album certifications – Blink 182 – The Marker, Tom, and Travis Show (The Enema Strikes Back!)". Music Canada.
- ^ a b "British album certifications – Blink-182 – The Mark, Tom, and Travis Show (The Enema Strikes Back!)". British Phonographic Industry. Select albums in the Format field.Select Gold in the Certification field.Blazon The Marking, Tom, and Travis Show (The Enema Strikes Back!) in the "Search BPI Awards" field and then press Enter.
- ^ a b "American album certifications – Blink-182 – The Mark, Tom, and Travis Show (The Enema Strikes Back!)". Recording Industry Clan of America.
- ^ "Channel Orange Reviews, Ratings, Credits, and More". Metacritic. CBS Interactive. Retrieved July 18, 2012.
- ^ Pappademas, Alex (December 1, 2000). "Reviews: Blink-182 – The Mark, Tom and Travis Testify: The Enema Strikes Back! (MCA)". Spin. 16 (12): 220. ISSN 0886-3032.
- ^ Sheffield, Rob. "Blink-182 – The Marker, Tom, and Travis Prove (The Enema Strikes Dorsum!)". Rolling Stone. Archived from the original on April 9, 2002. Retrieved Baronial 16, 2016.
- ^ Pace, Mike. "Blink-182: The Mark, Tom, and Travis Bear witness (The Enema Strikes Back!)". PopMatters . Retrieved August 16, 2016.
- ^ Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Render. Contained Music Press. p. 79. ISBN978-1-906191-10-8.
- ^ Grogan, Siobhan (November 2, 2000). "NME Reviews: The Marking, Tom and Travis Evidence: The Enema Strikes Back!". NME. Archived from the original on June 5, 2011. Retrieved August 16, 2016.
- ^ Sinclair, Tom (December 11, 2000). "EW Daily Music Review: Blink-182 – The Marking, Tom, and Travis Show (The Enema Strikes Dorsum!)". Amusement Weekly. Archived from the original on January 24, 2001. Retrieved August 16, 2016.
- ^ Roth, Kaj (September 29, 2011). "Man Overboard - Man Overboard". Melodic. Archived from the original on November xviii, 2016. Retrieved February 24, 2020.
- ^ Ortenzi, Rob (December 23, 2008). "AP: Features: All Time Low: Come One, Come All". Culling Printing. Archived from the original on Feb 10, 2009. Retrieved Feb 24, 2020.
- ^ Heisel, Scott (March 29, 2011). "glimmer-182'southward 'The Mark, Tom, And Travis Show' to receive vinyl treatment". Alternative Printing . Retrieved February 24, 2020.
- ^ Janes, Steve (March 9, 2016). "srcvinyl Reissuing Glimmer 182 Deluxe Edition Vinyl – 'The Mark, Tom and Travis Prove' Out May 24". With Guitars . Retrieved February 24, 2020.
- ^ Fitz-Gerald, Sean (November half dozen, 2015). "Hey, Some Glimmer-182 Albums Are Coming Back As Cassettes". Vulture . Retrieved February 24, 2020.
- ^ "Austriancharts.at – Glimmer-182 – The Mark, Tom and Travis Show" (in German). Hung Medien. Retrieved August 16, 2016.
- ^ "Lescharts.com – Blink-182 – The Mark, Tom and Travis Testify". Hung Medien. Retrieved August 16, 2016.
- ^ "Longplay-Chartverfolgung at Musicline" (in German). Musicline.de. Phononet GmbH. Retrieved August sixteen, 2016.
- ^ "Oricon Top 50 Albums: {{{date}}}" (in Japanese). Oricon. Retrieved August 16, 2016.
- ^ "Charts.nz – Blink-182 – The Mark, Tom and Travis Bear witness". Hung Medien. Retrieved August xvi, 2016.
- ^ "Official Albums Nautical chart Top 100". Official Charts Visitor. Retrieved Baronial 16, 2016.
- ^ "ARIA Top 100 Albums for 2000". Australian Recording Industry Clan. Retrieved November 12, 2021.
- ^ "The Year in Music: 2001 – Tiptop Billboard 200 Albums". Billboard. 113 (52): 33. December 29, 2001. ISSN 0006-2510. Retrieved March 20, 2016.
- ^ "ARIA Charts – Accreditations – 2000 Albums" (PDF). Australian Recording Industry Association.
- ^ "New Zealand album certifications – Blink-182 – The Marker, Tom, and Travis Testify (The Enema Strikes Back!)". Recorded Music NZ.
Sources [edit]
- Barker, Travis; Edwards, Gavin (2015). Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums. William Morrow. ISBN978-0-062-31942-v.
External links [edit]
- The Mark, Tom, and Travis Evidence (The Enema Strikes Back!) at YouTube (streamed re-create where licensed)
DOWNLOAD HERE
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